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Showing posts with label Misogyny in Film. Show all posts
Showing posts with label Misogyny in Film. Show all posts

Wednesday, 19 December 2012

In Defence of Megan Fox.

Posted on 11:02 by Unknown

Until today, the only thing I knew about Megan Fox was that she starred in the first two Transformer movies and that she may or may not have been fired from the third for calling the director Micheal Bay a misogynist. It's hard to say if she walked or was fired as Fox is keeping a dignified silence whilst Bay, and her former co-star Shia LeBoeuf, are bad-mouthing her at every opportunity. Whatever actually happened, Fox is clearly a better person than either Bay or LeBoeuf; although that isn't the best compliment since I've eaten carrots that had more empathy than Bay. Suffice it to say, I'm on Team Fox.

Today, I learned that Fox is now married and has a very new baby. 

I learned about Fox's new baby from an op-ed piece in the Independent which effectively accuses Fox, but not her husband, of child neglect for hiring a night nurse. I have no idea who the writer Susan Elkin actually is, above her very basic biography attached to the article, but it's been a while since I've read a piece written by a woman who so clearly hates other women. 

Because, there is no excuse for what Elkin has written. 

There is no excuse for the Independent to have published the op-ed piece. 

But, you know what, I would like to thank Megan Fox for publicly acknowledging that she has hired a night nurse. 

Because what really pisses me off is the culture of "motherhood" that requires "celebrity" women to pretend that they do everything all by themselves after having a baby. That is what is harmful to all women: the idea that a woman who has just given birth must immediately lose all their baby weight, baking 250 cupcakes for the school fete, going back to work full-time at 6 weeks whilst simultaneously looking immaculate in their immaculate house. Celebrity women who try to exist outside this narrow and punitive construction of mother are punished by the likes of Perez Hilton calling them fat and Hello mag making snide remarks about their lack of make-up.

So, power to Megan Fox for being honest about something that was going to result in her being bullied. How freaking brave is she?

And, that shit about whether or not Fox breastfeeds, well that's none of our business. The culture which pushes formula feeding unnecessarily onto new mothers and which sexualises women's breasts to the point that women can not breastfeed publicly without feeling uncomfortable is the problem. The culture which believes that women's bodies belong to their husbands and that a man's rights to access his possession's breasts are more important than a new infant is the problem. The culture which defines any woman who has given birth  as unfuckable until they lose all their "baby weight" is the problem. That is what we need to address.

We won't create a breast-feeding friendly culture when women write shit like this:
Babies are born to women – whether some feminists like it or not and wish it otherwise – and nature provides the baby’s food in the form of breast milk. That milk, and suckling it from the mother’s breast, is the child’s entitlement. Direct access to its mother’s breast milk is, in my book, every child’s human right. 
That doesn’t mean extracting it with a pump and handing it over to someone else to pour into the child either. It means proper tactile feeding from the breast and all the bonding which goes with that. Everyone knows that there is nothing better than breast milk for a baby’s health and, there are benefits for the mother too – not least, it is much easier to lose the baby weight if you breast feed than if you don’t. It is also considerable less hassle – at a time when you’re tired and maybe stressed – than fiddling about with bottles which have to be sterilised. And you have it with you, on tap as it were, wherever you and the child happen to be. 
If you hire a night nurse the child may be losing out on part of this and I regard that as a form of neglect.
Now, I get that Elkin is clearly trying to flog some book that no one actually wants to read but, unless you are actually stupid, no one would think the above was going to increase the number of women breastfeeding exclusively for 6 months. It just isn't. All it does is make women feel like failures if they don't. As for the hyperbole of child neglect, well, I'd suggest that Elkin wasn't the most effective teacher on the planet if that's her definition of child neglect.

Plus, Elkin doesn't actually understand the mechanics of breast-feeding. It's not the breast-feeding which changes the shape of women's breasts. That's the result of the weight gain during pregnancy and the subsequent loss of weight thereafter. Not breastfeeding will do nothing to prevent a woman's breasts from changing. Pregnancy changes women's breasts.

And women shouldn't be policing other women's bodies. We should be standing up for other women being forced by Patriarchal structures into making "choices" they do no want for fear of reprisal. 

In many ways, this article is just spiteful. It's just the kind of spiteful that the Patriarchy loves: pitting women against women. Normally, I'd veer on the side of ignoring, however insulting a woman who has just given birth and making her personally responsible for the decisions of a thousand other women isn't kind. 

Megan Fox may be a very privileged woman but she is still a woman. She doesn't deserve this kind of treatment. 

Megan Fox is just a woman trying to survive in the Patriarchy; just like the rest of us. 

Cross-Posted in the New Statesman

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Posted in Breastfeeding, Celebrity Culture, Mass Media, Misogyny, Misogyny in Film, Objectification of Women, Patriarchal Fuckability Test, War on Women | No comments

Tuesday, 13 November 2012

Knight and Day: It was Shite. And Sexist. But mostly shite.

Posted on 03:20 by Unknown

I usually don't bother with Tom Cruise films. They inevitably make me feel all stabby and that's without getting into the historical fallacious twaddle which is Valkyrie but Knight and Day was on TV and we watched it because we were bored. I wasn't expecting anything exciting since it is an action movie and they are hardly examples of gender equality but Knight and Day took it to a whole new level. He's a hitman. She's a dippy girl who is also a mechanic. She wanders on to a plane full of people trying to kill him. He responds by saving her life and then drugging her in order to kidnap her. Because a hero can't save a woman without drugging her first.

He repeatedly drugs her in order to kidnap her. Once, he even removes all her clothes and puts her in a bikini whilst she's drugged. But, that wasn't creepy because he's a professional and they were on a Caribbean island. It was romantic.

Did I mention the bit about him kidnapping her? Repeatedly? 

Then drugging her?

Plus, there was this bit where he returns her home, having kidnapped her, and he covers her body and her flat with post-it notes with instructions. Just in case she was too stupid to eat breakfast.

Obviously, the movie ends up with them driving off into the sun together. Generally speaking, relationships involving violent men who repeatedly drug a woman and kidnap her are considered abusive. What with the whole multiple felonies involved but somehow we are supposed to believe it was romantic.

Personally, I don't find Stockholm syndrome romantic. Could just be me though. 
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Posted in #EverydaySexism, #rapeculture, Misogyny, Misogyny in Film, Rape Culture, Stockholm Syndrome, Violence against Women | No comments

Sunday, 14 October 2012

Ice Age 4: Another Kids Film, More Asinine Gender Stereotypes

Posted on 10:41 by Unknown

I'm not sure why I even bother taking the kids to the pictures anymore. They inevitably serve to make unbearably cantankerous with the constant gendered stereotyping and, frequently, the erasure of female characters. However, it was pissing with rain and my house already looks like  a Turner prize installation art project what with the layer of paper mache, painted shoe boxes and toilet paper tube mobiles and that's without mentioning the cat who bears more than a passing resemblance to a disco ball with the amount of glitter stuck to her. So, off to the pictures we went. And, yeah, I'm cheap so it was the kids club movie which is why I'm reviewing a film that's been out for several months already.

Ice Age 4 has, at least, a few female characters. You know, the ubiquitous ones: the crazy old bat, self-sacrificing mother, and the "evil" temptress who falls in love with a cock and then learns to be good. Plus, there's the whole rebellious teenage daughter who learns that doing exactly what Daddy tells you to do is the only way to be "good". And, yeah, a character actually does refer to the grandmother as a "crazy old bat" because there is nothing funnier that disablist comments about dementia. She's also spiteful because  it wouldn't be funny if a character with dementia wasn't spiteful too.

Ice Age 4 had some funny moments but the female characters were just awful. Some of the worst written characters I've seen in a while. The evil, stubborn temptress who just needs to be rescued and fall in love with her rescuer to become a "real" woman is just so tedious and repetitive. As is the story of a teenage girl dumping her best friend to go off with the "cool dude", slags off her friend and then everyone, miraculously, becomes best mates. That's bullying. It isn't something we should be showing young children. 

Yeah, there are places where the female characters "rescue" someone but it is never as important as being rescued by Daddy/ Lover. Because Daddy/ Lover knows best. Daddy/ Lover always knows best and where would we be without the Anxious Patriarch trope? I mean, kids might actually learn to engage critically with the Patriarchy. And, then kick the ever living shit out of it. And, we couldn't have that. Nope. Not at all.

Oh, and from a completely non-feminist perspective, what is it with kids movies and lame song interludes? Sure, if the movie is supposed to be a musical but one random and seriously fucking stupid song in the middle? Just, why? Are there no competent musicians in LA who could be brought in to write non-stupid songs for children? Or, better yet, just skip the musical interlude all together.



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Posted in #EverydaySexism, Benevolent Sexism, Children's Films, Children's Movies, Disablism, Fairy Tales, Handmaidens, Misogyny in Film | No comments

Sunday, 9 September 2012

Brave: Not Quite the Feminist Film I Imagined

Posted on 11:04 by Unknown

I'm not going to lie. I was disappointed by Brave. I liked Merida as proto-feminist heroine but the rest of the characters were really just tedious gendered stereotypes. The men, including the king, were all irresponsible and prone to violence. Merida's younger brothers were incredibly badly behaved but rewarded for it. I find the "men are all stupid and violent and irresponsible" cliche tedious and dull. The maid was silly and prone to hysterics. The kingdom itself is held together by the Queen who suppresses her whole personality and needs into ensuring that the others don't kill one another in an orgy of violence. Yep, that tired old "women have to be extra special good to compensate for the men being arseholes" trope so beloved in victim-blaming. 

I really, really wanted to like Brave. As a heroine, she is one of the best Disney Princesses; possibly second only to Mulan but the rest of the film lets Merida down. And, that's without getting into the way Merida saves her mother by learning to darn. I mean, seriously, what's with that? Yeah, darning is an important skill to have and no doubt has saved many a soldier but when you're trying to stop gendering fictional characters for children, a girl saving someone through darning isn't a step in the right direction. Merida is a warrior queen. Warrior Queens do not save people by fixing tapestries. And, the end isn't really a brilliant one for Merida. After all, she winds up weaving with her mother which isn't what she wanted. It was an unnecessary compromise that should never have been required because Merida's demands weren't unreasonable. Everyone else needed to learn to compromise [and the father to actually act like one instead of being a drunken bore] but Merida herself should not have had to change.

Plus, the love story is still there. The last scene is of the "ugly" laird kissing her hand. The implication is that Merida ends up with him which isn't really losing the princess marries the prince storyline so much as holding out for a sequel a la Tangled.
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Posted in #FeministFriendlyFilms, Children's Films, Fairy Tales, Gendering Children, Misogyny in Film, Patriarchal Conformity | No comments

Saturday, 8 September 2012

The Lorax: Would Have Been Funnier Without the Fat Jokes or the Misogyny

Posted on 06:31 by Unknown

Took Small to see The Lorax this morning. It was actually pretty funny in places and less patronising than Ferngully with the whole destruction of the forest killing the planet story line. Thing is, The Lorax still felt obligated to go with two utterly stupid and dire tropes: the fat, stupid sidekick and the "it's only okay to hit girls that aren't pretty". I know I complained about the trailer to The Lorax previously but it just annoyed me even more in the film. This is what I said about the trailer:
It was the same tired old joke about not threatening violence against women unless they don't 'look' like women: that is too say fat. Because, it's just totally okay for children's films to reinforce the same tired old stereotypes about women only having value if they are skinny and pretty. Or, that women can only 'look' like women if they are skinny. Or something. 
It would be nice if just one film directed at children didn't include threats of violence and gender stereotyping. Is that really so much to ask? Is Hollywood so lacking in imagination that they can't imagine a world where people don't run about threatening to punch anyone who disagrees with them or denigrating those who don't fit Patriarchal Constructions of Fuckability?
The normalising of male violence is harmful for everyone. It teaches boys that they are nothing but violent thugs incapable of self-control and tells girls they are responsible for the violence because they aren't pretty enough or nag too much. And, this is without going into the whole basis of the plot which is that boys only do dangerous and stupid things to get the attention of girls. Because, boys are never, ever responsible for their own bad decisions. Always has to be the fault of a woman, [and its worth pointing out that the young boy is being raised by a single mother whilst the man who caused the tree crisis was being raised by an emotionally abusive mother reinforcing the "woman are responsible for male behaviour trope on several levels].

The fat, slow, and dim sidekick in The Lorax was a bear; one who just couldn't keep up either intellectually or physically. It didn't anything to the story. It wasn't funny. It was just the same old pick on the fat kid shit which is everywhere. It was the same demeaning behaviour as evidenced in most Hollywood comedies which are anything but. Being overweight doesn't make one stupid and it's unbelievably tedious to see this trope used over and over again. The Lorax could have been a brilliant film; instead in went for crass jokes and offensive stereotypes. Plus ca change and all that.


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Posted in #FeministFriendlyFilms, Children's Films, Domestic Violence, Gendering Children, Misogyny in Film, Patriarchal Fuckability Test, Sexual Violence, women-blaming culture | No comments

Thursday, 26 July 2012

Top Ten Feminist Friendly Movies All Kids Should See

Posted on 03:24 by Unknown


The Huffington Post's Puff-Piece du Jour is the Top Ten Movies Kids Should See Before They're 10. Some of them are pretty good movies but most are the usual misogynistic twaddle; 4 of which are by Disney. Now, Disney makes some great films but most of them are documentaries about animals made over 30 years ago and are not available on DVD.

10. Up: I haven't seen this so can't really comment but, let's face it, the two main characters have penises. Like every other fucking movie ever made. It needs to be dumped. I'd replace this with Racing Stripes. Now, I need to go on record here and say I fucking hate this film. Every time I see it, I want to cry. However, it's a great film for young girls because it really is about a girl defying all forms of patriarchal conformity and doing exactly what she knows she can do despite being told she can't do it.

9. Matilda: I'd keep Matilda. Okay, it has some problematic portrayals of mother and headteacher but it's a little girl who defends herself and her friends by being intelligent, resourceful and kind. These are characteristics that we need to be teaching ALL children.

8. The Never Ending Story: I love this movie so it's staying in. Should have starred a girl but still a brilliant film.

7. Wizard of Oz: I have never understood the fascination with this film. It stars an adult woman trussed up like a child complete with bound breasts. There are some seriously creepy subtexts about sexuality and misogyny in the film. I can't think of a musical that I would replace it with since the whole genre is riddled with misogyny. I'd replace it with Hoodwinked since it has two great female characters; one of whom is a snow-boarding, cookie baking grandmother.

6. Mary Poppins: I love this film and I don't care how bad Dick Van Dyke's accent really was. It's a film about suffragettes, male stupidity and questions patriarchal conformity. What's not to like?

5. The Jungle Book: The soundtrack to this film is utterly brilliant but the film itself should only be watched whilst questioning gender conformity and racism. 


4. Labyrinth: A film starring a teenage girl where she doesn't get naked, give blow jobs or is clinically stupid. That alone makes it a worthy feminist film. The fact that she's also brave, intelligent, and kind is just an added bonus. It stars Jennifer Connelly who is a brilliant and criminally under-used actress. I've never entirely understood the fascination with Bowie but he's a great creep.

3. Home Alone: This must have been nominated by people who hate their children because I can't imagine why anyone would force their offspring to watch this. Kiki's Delivery Service is an utterly brilliant film about a young girl coming of age, making friends, and learning to take responsibility for herself and not a whiny self-involved child surrounded by whiny self-involved adults who don't listen to one another.

2. Lion King: The Lion King was a piece of misogynistic twaddle about a couple of whiny, self-involved men ruining everything for everyone else. That's without the not-so-subtle subtext of racism. I'd dump it in favour of the Wild Thornberries which is another great film about a young girl coming of age and learning to take responsibility for others. It's about relationships between sisters and parents and caring for one another without losing yourself.

1. Toy Story: Oh look, another movie by Pixar/ Disney where Only Those Who are Three Dimensional Characters Get To Have Adventures. Otherwise known as: Only Toys with Penises Count. None of the Pixar Films are feminist-friendly and I don't want to hear about the freaking Incredibles. Mrs. Incredible covers up for her useless husband's abusive, self-destructive behaviour whilst wandering about wondering if her ass is fat. Teenage Incredible's special power is invisibility: which makes her exactly the same as every other teenage girl with low self-esteem. Hardly, what I aspire for my daughters.

Mulan is way better: a young woman defies gender constructions, the Patriarchy and kicks arse saving her "man", the Emperor and the rest of China. She's also brave, resourceful, intelligent and doesn't take shit from anyone.

And, every child should be given a copy of Miss Representation.

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Posted in #FeministFriendlyFilms, Children's Films, Cultural Femicide, Handmaidens, Misogyny, Misogyny in Film, Patriarchal Conformity | No comments

Wednesday, 18 July 2012

The Lorax: Interesting Environmental Message Served With a Side of Sexism

Posted on 02:24 by Unknown

I took small to see The Muppet Movie; an experience which was ruined by the inclusion of the utterly misogynistic Aquafresh Nurdle World ad. And, then we saw an add for the new Dr. Seuss film The Lorax. It looks brilliant fun; a film about being yourself, questioning authority and respecting/ caring for the environment. That would be brilliant fun right up until the point where there was a lurvely 'joke' about gender and violence.

It was the same tired old joke about not threatening violence against women unless they don't 'look' like women: that is too say fat. Because, it's just totally okay for children's films to reinforce the same tired old stereotypes about women only having value if they are skinny and pretty. Or, that women can only 'look' like women if they are skinny. Or something.

It would be nice if just one film directed at children didn't include threats of violence and gender stereotyping. Is that really so much to ask? Is Hollywood so lacking in imagination that they can't imagine a world where people don't run about threatening to punch anyone who disagrees with them or denigrating those who don't fit Patriarchal Constructions of Fuckability?


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Posted in Children's Films, feminism, Language, Misogynistic Advertising, Misogyny in Film | No comments
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