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Showing posts with label Women's Literature. Show all posts
Showing posts with label Women's Literature. Show all posts

Friday, 12 April 2013

Women and the Holocaust: A cyberspace of Their Own

Posted on 23:50 by Unknown


(I meant to post this during Women's History Month. Clearly, I'm a bit late. Anyway. )


I love the Woman and the Holocaust: A Cyberspace of Their Own site. This is what woman's history is: academic scholarship, personal testimonies, poetry, literature and art. It is the multiplicity of representation that allow us to find the history of women which is elided, ignored and erased from mainstream history. The experience of women Holocaust survivors has demonstrated this over and over again; notably in the work of Lawrence Langer who claimed that women's experiences weren't substantially different to men. This fails to consider the very real biological differences between men and women which did result in their experiences being gendered. After all, although a few men were also victims, 
sexualised violence was predominantly an experience of women and children; as was caring for children, elderly and disabled family members. 

The dedication of Women and the Holocaust: A Cyberspace of Their Own reads:

Who were murdered while pregnant.  Holding little hands of children or carrying infants in their arms on the way to be gassed.  In hiding.  To the mothers who gave their children to be hidden, many never to find them again.  To the righteous gentile mothers and the nuns in convents, who were hiding and protecting the children in their care.
Or as fighters in the resistance:  in ghettos, forests, partisan units.
And to the lives of those few who survived and bravely carried on.
This site is an amazing resource and one which I highly recommend. 

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Posted in Holocaust, Women's History, Women's History Month, Women's Holocaust Testimonies, Women's Literature | No comments

Wednesday, 10 April 2013

Angela Bourkes' The Burning of Bridget Cleary

Posted on 05:55 by Unknown



Angela Bourke's The Burning of Bridget Cleary is a social history of the use of fairies and other myths to control people's behaviour in Ireland in the 19th century. She traces the history of these myths to contextualise the brutal torture and murder of Bridget Cleary by her husband and kinsmen. It is very powerful but equally horrifying. What impressed me the most is that Bourke places the murder of Bridget firmly within a narrative of domestic violence. There are no excuses for male violence so, whilst the murder is contextualised with a history of faeries, changelings, power struggles, and jealousy  Bourke holds the murderers accountable. Bourke then situates the trial of Bridget's murderers within the political context of British Home Rule of Ireland and the British construction of Irish people as savages.

The Burning of Bridget Cleary is one of the most fascinating and well-researched books I have ever read. Bourke traces multiple layers of  history and myth to tell the story of the murder of Bridget Cleary. It's rather like Kate Summerscale's The Suspicions of Mr Whicher* but from a feminist perspective rather than a comprehensive social history. 

I honestly can not recommend this book enough. It is brilliant, insightful, frightening and, above all, a true picture of the complicated processes required to tell the history of women. 

*The Suspicions of Mr Whicher is worth a read too as it contextualises the origins of detectives in British society within the literature of the day particularly in relation to the work of Wilkie Collins and Charles Dickens.



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Posted in #ReadingOnlyBooksWrittenByWomen, Domestic Violence, Male Violence Against Women, Violence against Women, Women's History, Women's Literature | No comments

Wednesday, 27 March 2013

Hilary Boyd's Thursdays in the Park

Posted on 15:32 by Unknown

This is one of those books that I really wanted to enjoy. It is the story of a woman's reawakening after an unhappy marriage to an unpleasant man. Unfortunately, the entire book is the minimisation of male violence both in the marriage of the main character, Jeanie, and that of her daughter. Like Paula McLean, who wrote The Paris Wife,  Hilary Boyd seems to have little understanding of the level of coercion and control that is common. Boyd also gives both husbands an 'excuse' for their abusive behaviour: one is the victim of child sexual violence and the other suffers from extreme jealousy. Obviously, neither man is responsible for their own behaviour to the point that Jeanie labels herself a bitch for wanting out of her unhappy marriage.

I would really like to read a "romance" novel, since Jeanie had to find a new man rather than be happy by herself, that actually understood the dynamics of domestic violence. Just one. 

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Posted in #culturalfemicide, #ReadingOnlyBooksWrittenByWomen, Cultural Femicide, Domestic Violence, Women Writers, Women's Literature | No comments

Monday, 25 March 2013

Barbara Kingsolver's Pigs in Heaven

Posted on 04:03 by Unknown

I love Barbara Kingsolver's books. I know I'm late to the party on this having only discovered her books two years ago but she is an amazing writer. The Poisonwood Bible is one of the best books I have ever read. Pigs in Heaven covers the same terrain as The Poisonwood Bible: motherhood, sisterhood, female friendships, family and surviving.

Pigs in Heaven is the story of Taylor and her adopted daughter Turtle who is Cherokee. The central plot is who Turtle really belongs too: the woman who illegally adopted her but who nurtured her through the trauma of her extensive physical and sexual abuse or the Cherokee nation into whom she was born. Kingsolver asks complicated questions about family and sisterhood and, whilst the ending is too pat, it is, fundamentally, a testament to how we should be raising our children: not as possessions but as members of extended communities built on love and tradition.

These are my two favourite quotes: 
Alice realises something important about her daughter at this moment: that she's genuinely a mother. She has changed in this way that motherhood changes you, so that you forget you every had time for small things like despising the color pink. 
... 
Sympathizing over the behavior of men is the baking soda of women's friendships, it seems, the thing that makes them bubble and rise.  
For obvious reasons. 

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Posted in #culturalfemicide, #ReadingOnlyBooksWrittenByWomen, Cultural Femicide, Family, Sisterhood, Women Writers, Women's Literature | No comments

Saturday, 16 March 2013

Jewly Hight's Right By Her Roots: Americana Women and Their Songs

Posted on 09:54 by Unknown

The problem with this book is that it is just one book. It should be nine separate books: the eight singer-songwriters that Hight adores so much:
  • Lucinda Williams
  • Julie Miller
  • Victoria Williams
  • Michelle Shocked
  • Mary Gauthier
  • Ruthie Foster
  • Elizabeth Cook
  • Abigail Washburn
And, Jewly Hight herself; because Hight might claim to be writing the stories of these eight women singers-songwriters and their examination of "their geographical, cultural, familial, and religious roots in their music" but Hight's actually written herself into the text. I want to know more about the 8 female artists and Hight.  A longer book would have allowed the inclusion of more of the lyrics by these talented women but also more of Hight herself. Right by Her Roots is a love affair with these talented women singer-songwriters and it's love-affair that just isn't long enough.

It's all fascinating but at 200 pages, there simply isn't enough space to really examine these issues and fully explore the back catalogues of the music of these women. I want to know more about all 8 women but equally I want to know about Hight. I want to know about how Hight traces her roots and I want more of Hight's personal responses to these women. 

I definitely recommend this book but with fingers crossed that Hight writes more in-depth books about these women (and herself).



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Posted in #BuyingOnlyMusicByWomen, #ListeningOnlyToMusicByWomen, #ReadingOnlyBooksWrittenByWomen, Female Artists, Women's History, Women's History Month, Women's Literature, Women's Music | No comments

Barbara Black Koltuv's The Book of Lilith

Posted on 01:31 by Unknown

I'm in two minds about Barbara Black Koltuv's The Book of Lilith. I found the history of the myths surrounding Lilith, and her previous incarnations in other cultural traditions, utterly fascinating. This is a history of women and myth that I knew nothing about. Koltuv's choice to quote large sections of original text were of immense value. On the other hand, I was less fond of Koltuv's use of psychoanalysis because I felt it involved an essentialist construction of women as being either Eve or Lilith. This is obviously an odd criticism considering Koltuv is a well-respected psychoanalyst but the constant reference to the power of modern women's sexuality detracted from the origin myths of Lilith. 

Prior to reading this, I knew nothing of Lilith and I will have to reread this book as there is just so much information packed into such a short text that I feel I have missed out on pieces of Lilith's story.  I knew Lilith was the first woman in one version of the Christian tradition but I did not know about Lilith's construction within Jewish texts. I certainly did not know that Lilith is purported to be one of the two "mothers" of the infant in the Biblical story the Judgement of Solomon. I want to know more but I found myself distracted by Koltuv's inclusion of her current patients. Koltuv's use of psychoanalysis to read the stories of Lilith throughout history was really powerful and riveting but the references to her modern practise were simply not. 

Lilith's rewriting as mother and whore, as the moon but also a deity fascinates me. So, if anyone has any excellent recommendations to read on the story of Lilith [and written by women!], please let me know.



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Posted in #culturalfemicide, #ReadingOnlyBooksWrittenByWomen, Women Writers, Women's History, Women's History Month, Women's Literature, Women's Stories | No comments

Friday, 15 March 2013

Bristol Women's Literature Festival: Or, Where Stewie Would Rather Be this Weekend.

Posted on 00:32 by Unknown

(Image from here)

Anyone who is familiar with this blog will know why I'd rather be at the Women's Literature Festival this weekend. A whole weekend dedicated to celebrating women writers and combatting cultural femicide: what's not to love? Unfortunately, and after consulting several maps, I am led to believe that Bristol is located not only nowhere near my house but also not on a single non-environmentally destructive form of public transport. (sulks)

Anyway, for those of you lucky enough to live in Bristol or within traveling distance, do check it out. The whole weekend looks fabulous.

The information below is taken directly from the Women's Literature Festival website:

Bristol Women’s Literature Festival brings together the country’s best women writers, academics and feminist commentators to the Watershed for a weekend of thought-provoking discussion, debate and activity.
Buy your tickets for the festival today.
The festival has three aims:
1. To celebrate the diversity and creativity of women writers
2. To counter the male dominance of literature and cultural festival line-ups
3. To promote women’s writing and literary history
Across the weekend of 16th-17th March, we’ll be hosting three panel discussions at the Watershed, along with a talk and film screening:
Out of the Ivory Tower: writing feminism for a non-academic audience
Women’s Writing today: contemporary women writers discuss their fiction
Bluestockings and Muses: a history of women’s writing
Bringing women’s issues to a mainstream TV audience + film
The Bristol Women’s Literature festival is entirely unfunded. If you would like to support this event, then please donate to us via the PayPal donate button.

Tickets still available!

Tickets have been going as fast as hot cakes and as a result Watershed has moved Saturday’s talks to a bigger room. Isn’t that great news? So if you’ve been worrying about getting tickets worry no more. We advise booking in advance to avoid disappointment but you are still probably fine to buy on the door. 

You can book your tickets by calling 0117 927 5100 or going online to Watershed. 
Book for Feminism on the Small Screen
Book for Women Writing Today
Book for Bluestockings and Muses
Book for Out of the Ivory Tower
So, what will you be booking?
A weekend ticket is available if you want to catch all four fascinating talks – to order yours just call  Watershed on 0117 927 5100 or go directly to the Box Office.
If you would like to hear renowned screenwriter Emilia di Girolamo talk about her career writing for Law and Order:UK and dramas like The Poison Tree, and how she brings women’s issues to a primetime audience you can book online now. Her talk takes place on 16 March, 11am along with a screening of Line Up.
To hear Stella Duffy, Helen Dunmore, Beatrice Hitchman and Selma Dabbagh read from their work and talk about Women Writing Today with Bidisha, you can book online now. They’ll be on at 3.30pm on Saturday 16th March.
Then, there’s Sunday. To book your tickets to discover the fascinating and often hidden history of women’s literature with Kate Williams, Dr Charlotte Crofts, Dr Marie Mulvey-Roberts, Professor Joan Adim-Addo and Professor Helen Taylor, you can go online now. This talk is happening at 2pm on Sunday 17 March.
And the festival finishes with a discussion on how writers today are bringing feminism to a new audience with Kristin Aune, Debi Withers and Josephine Tsui. Book your ticket now for 4pm on Sunday 17 March.
Individual tickets are £7/£6 and weekend tickets are £25/20. You can book via Watershed website or by calling the Box Office on 0117 927 5100
Book for Feminism on the Small Screen
Book for Women Writing Today
Book for Bluestockings and Muses
Book for Out of the Ivory Tower

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Posted in #culturalfemicide, #ReadingOnlyBooksWrittenByWomen, Cultural Femicide, Women Bloggers, Women Writers, Women's Films, Women's History, Women's Literature, Women's Poetry, Women's Stories | No comments

Wednesday, 13 March 2013

Women's Prize Longlist: Or, Stewie's Other Favourite Day of the Year

Posted on 13:37 by Unknown

My other favourite day after International Women's Day and my children's birthdays. Obviously. 

Today, the long list for the Women's Prize for Fiction was released and not only have I not read a single book on this list yet, it is full of authors I haven't read at all. This makes me a rather happy bunny.

I've added all the books below to my wish list: 





















These are previous Women's Prize nominees which I've loved

  • Lyrics Alley by Leila Aboulela
  • Room by Emma Donoghue 
  • A Visit from the Goon Squad by Jennifer Egan 
  • The Memory of Love by Aminatta Forna
  • Grace Williams Says it Loud by Emma Henderson
  • The Lacuna by Barbara Kingsolver
  • The White Women on the Green Bicycle by Monique Roffey
  • Half a Yellow Sun by Chimamanda Ngozi Adichie
  • Small Island by Andrea Levy
  • Purple Hibiscus by Chimamanda Ngozi Adichie
  • The Poisonwood Bible by Barbara Kingsolver
  • Fugitive Pieces by Anne Micheals.
  • Property by Valerie Martin
  • The Sealed Letter by Emma Donoghue 
  • Half Blood Blues by Esi Edugyan 
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Posted in #culturalfemicide, #ReadingOnlyBooksWrittenByWomen, Cultural Femicide, Women Writers, Women's Literature | No comments

Monday, 11 March 2013

"Books We've Read"

Posted on 03:50 by Unknown


I just found this list entitled Books We've Read in my sticky notes. I have no idea what website it's from or even when I saved it in my sticky notes. I only found when I decided that it was probably time to edit the 40 or so sticky notes saved on my laptop. Wherever it has come from, it's a fascinating list. I've bolded the ones I've already read and italicised those I own but still need to read. I'm adding others to my wish list!*
  • Outrageous Acts and Everyday Rebellions by Gloria Steinem

  • Infidel by Ayaan Hirsi Ali

  • What Do Women Want? by Luise Eichenbaum and Susie Orbach

  • One Dimensional Woman by Nina Power

  • Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present by Lillian Faderman
  • The Beauty Myth: How Images of Beauty are Used Against Women by Naomi Wolf

  • The Equality Illusion: The Truth About Women and Men Today by Kat Banyard

  • Suffragettes: A Story of Three Women by Gertrude Colmore

  • Living Dolls: The Return of Sexism by Natasha Walter

  • From Homebreakers to Jailbreakers: Southall Black Sisters by Helena Kennedy (Foreword) and Rahila Gupta (Editor)

  • Beyond God the Father by Mary Daly

  • Self-made Man: My Year Disguised as a Man by Norah Vincent

  • The Spinster and Her Enemies: Feminism and Sexuality, 1880-1930 by Sheila Jeffreys

  • Black British Feminism: A Reader by Heidi Safia Mirza

  • Patriarchy and Accumulation on a World Scale: Women in the International Division of Labour by Maria Mies

  • Small Expectations: Society’s Betrayal of Older Women by Leah Cohen

  • Nervous Conditions by Tsitsi Dangarembga

  • Virgin: The Untouched History by Hanne Blank

  • Provoked by Kiranjit Ahluwalia and Rahila Gupta

  • Their Eyes Were Watching God by Zora Neale Hurston

  • The Myth of Women’s Masochism by Paula Caplan

  • Beauty and Misogyny: Harmful Cultural Practices in the West by Sheila Jeffrey

  • The Johns: Sex for Sale and the Men Who Buy It by  Victor Malarek

  • Ireland’s Hidden Diaspora: The ‘Abortion Trail’ and the Making of a London-Irish Underground, 1980-2000 by Ann Rossiter

  • Global Woman: Nannies, Maids, and Sex Workers in the New Economy edited by Barbara Ehrenreich

  • The Bitch in the House: 26 Women Tell the Truth About Sex, Solitude, Work, Motherhood, and Marriage edited by Cathi Hanauer

  • Bodies by Susie Orbach

  • The Industrial Vagina by Sheila Jeffreys

  • Back off! How to Confront and Stop Sexual Harassment and Harassers by Martha J. Langelan

  • The Creation of Patriarchy by Gerda Lerner

  • Women as Revolutionary Agents of Change by Shere Hite

  • Femicide: The Politics of Woman Killing by Jill Radford and Diana E.H. Russell

  • Herland and the Yellow Wallpaper by Charlotte Perkins Gilman

  • Women of Ideas And What Men Have Done to Them by Dale Spender

  • That Takes Ovaries! Bold Females and Their Brazen Acts by Rivka Solomon

  • Encounters with Strangers: Feminism and Disability by Jenny Morris

  • Sister Outsider: Essays and Speeches by Audre Lorde

  • The Politics of Reality by Marilyn Frye

  • Woman: An Intimate Geography by Natalie Angier

  • Right Wing Women: The Politics of Domesticated Females by Andrea Dworkin

  • Walk to the End of the World and Motherlines (The Holdfast Chronicles, Books 1 & 2 – also known as The Slave and The Free) by Suzy McKee Charnas

  • From Where We Stand: War, Women’s Activism and Feminist Analysis by Cynthia Cockburn

  • Not for Sale: Feminists Resisting Prostitution and Pornography edited by C. Stark and Rebecca Whisnant

  • The Idea of Prostitution by Sheila Jeffreys

  • Femininity by Susan Brownmiller

  • The SCUM Manifesto by Valerie Solanas

  • The Female Man by Joanna Russ

  • Intercourse by Andrea Dworkin

  • The Handmaid’s Tale by Margaret Atwood

  • The Creation of Feminist Consciousness from the Middle Ages to Eighteen-Seventy by Gerda Lerner

  • Persepolis: The Story of a Childhood by Marjane Satrapi

  • My Mother My Self by Nancy Friday

  • Backlash: The Undeclared War Against Women by Susan Faludi

  • Female Chauvinist Pigs: Women and the Rise of Raunch Culture by Ariel Levy

  • The Women’s Room by Marilyn French

  • Are Women Human? And Other International Dialogues by Catharine A MacKinnon
*If this is your list, let me know so I can credit you!
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Posted in #culturalfemicide, #ReadingOnlyBooksWrittenByWomen, Cultural Femicide, feminism, Women Writers, Women's History, Women's Literature | No comments
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